Eventually, her brother-in-law became displeased with her excessive devotion for Krishna and made several attempts on Meera’s life. Although her undying devotion to Krishna was initially a private matter, public moments of spiritual ecstasy soon outed her to society. In her texts, she worships Krishna from the perspective of a lover longing for union: romantic on one level and spiritual on another. Meera transformed her grief into spiritual devotion and wrote many poems in praise of Lord Krishna. Her husband died in battle soon after their marriage and Meera became a widow at an early age. Meera, a Rajput princess, was married off to a prince at young age, but this marriage did not satisfy her as she already considered herself the spouse of Lord Krishna. Meera-bai was a 16th-century mystic whose devotion to Lord Krishna has been immortalized in Indian culture through her poetry and bhajans (religious songs). While all this extravagance is certainly an integral aspect of the industry, you may be surprised to learn about a saintlier side of Bollywood that I will discuss here today: the use of Meera-bai’s texts in Hindi film music. When most people think of Bollywood cinema, they usually think of extravagant costumes, seductive dance moves, and lots of melodramatic overacting. 1498-1547 A.D) was a mystical poet and devotee of Lord Krishna
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